The bombing of Caen by the Allies in 1944 was 'close to a war crime', according to Antony Beevor. In one respect, it is hard not to admire that weaselly phrase 'close to'. Beevor has managed to generate a lucrative controversy which will shift a few of his books, while keeping a bolt-hole into which he can flee when pursued. 'The whole thing is a grey area', he elaborates when pressed by a journalist, 'and I don't say it was definitely a war crime.' I don't say that Beevor is definitely a shameless self-publicist.
A forthcoming conference in Caen next May will consider representations of war in the 20th and 21st Century. Papers may focus on graphic art, fiction, poetry, music, life-writing, journalism, film, video, etc., as well as 'commemorative supports' such as museums and monuments. Does Beevor's book constitute a commemorative support?
I agree with you: a very unseemly pitch at the headlines. Also odd, as the text seems much more measured about the issue. A good account but it doesn't really go much further than Max hastings of Carlo D'Este.
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